The Enforcer
Film Overview
An enforcer has to sacrifice everything to save a young girl he has befriended from his femme fatale boss who is involved in cybersex trafficking.
Starring: Antonio Banderas, Kate Bosworth,Mojean Aria
Territory Insights
The chart on the right hand side shows our A.I. software's prediction of the likelihood of the film to outperform financially in specific countries comparing to historical norms learnt from millions of audience data and thousands of film data.
where 50/100 is average performance, above 50 means likelihood of outperformance, below 50 means likelihood of underperformance.
Key territories that are likely to outperform are: Macedonia, France, Bulgaria, United Arab Emirates, Indonesia.
Our A.I. software detected that the audiences in these regions have historically leaned towards films with plot element combination: Crime + Thriller + woman in danger.
| Country | Outperformance Score |
|---|---|
| Colombia | 32 /100 |
| United Kingdom | 39 /100 |
| Uruguay | 54 /100 |
| Mexico | 54 /100 |
| Ecuador | 32 /100 |
| Italy | 63 /100 |
| Netherlands | 60 /100 |
| South Africa | 52 /100 |
| Russia - CIS | 49 /100 |
| United Arab Emirates | 73 /100 |
| Switzerland | 45 /100 |
| Portugal | 63 /100 |
| Greece | 59 /100 |
| Turkey | 50 /100 |
| Brazil | 38 /100 |
| Israel | 65 /100 |
| Indonesia | 71 /100 |
| Hong Kong | 53 /100 |
| India | 26 /100 |
| South Korea | 49 /100 |
| China | 44 /100 |
| Thailand | 69 /100 |
| Vietnam | 31 /100 |
| Chile | 25 /100 |
| Singapore | 61 /100 |
| Japan | 57 /100 |
| Venezuela | 47 /100 |
| Malaysia | 53 /100 |
| France | 74 /100 |
| Australia | 40 /100 |
| Bulgaria | 72 /100 |
| Argentina | 41 /100 |
| Poland | 46 /100 |
| Paraguay | 20 /100 |
| Philippines | 44 /100 |
| Peru | 40 /100 |
| Germany | 44 /100 |
| Hungary | 57 /100 |
| Taiwan | 62 /100 |
| Sweden | 48 /100 |
| Macedonia | 100 /100 |
| Austria | 50 /100 |
| Croatia | 55 /100 |
| New Zealand | 35 /100 |
| Belgium | 67 /100 |
| Norway | 47 /100 |
Audience Insights
Demographic Enthusiasm:
The graph below shows our A.I. software's prediction for the film's demographic enthusiasm.
Where any positive number means more audience enthusiasm comparing to average should be expected, any negative number means less enthusiasm comparing to average should be expected
This film has a relatively even split between genders, where 35-44 age group is likely to be its core and most enthusiastic audience
Top Domestic Cities by Audience Enthusiasm:
The chart below shows our A.I. software's prediction for the film's geographical enthusiasm based on domestic cities.
Where any positive number means more audience enthusiasm comparing to average should be expected, any negative number means less enthusiasm comparing to average should be expected
| City Number | City | Market Share | Enthusiasm |
|---|---|---|---|
| 1 | Amarillo, Texas, United States | 0.1808% | 154 |
| 2 | Tucson, Arizona, United States | 0.4548% | 127 |
| 3 | Macon, Georgia, United States | 0.1077% | 92 |
| 4 | Birmingham, Alabama, United States | 0.1077% | 58 |
| 5 | Cincinnati, Ohio, United States | 0.1365% | 54 |
Talent Insights
The chart below shows each talent's profitability and popularity among the industry and audiences.
Even though both top talents for the film have mediocre profitability track record. Their popularity rank above 90th percentile which is very strong.
| Picture | Name | Comments |
|---|---|---|
 | Antonio Banderas | 40% Thriller genre profitability (As Lead) 57% overall profitability (As Lead) 8.5M - 175M recent 5 year budget range 90 /100 industry popularity 97 /100 audience popularity |
 | Kate Bosworth | 50% Thriller genre profitability (As Lead) 18% overall profitability (As Lead) 3M - 8.9M recent 5 year budget range 100 /100 industry popularity 94 /100 audience popularity |